Saturday, July 5, 2008
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The most violent game on the original Nintendo, besides Duck Hunt.
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We The Best is the follow-up to Listennn...The Album which spawned "Holla At Me," "Grammy Family" and "Born N' Raised." The new album includes the smash "We Takin' Over" with Akon, T.I., Rick Ross, Fat Joe, Birdman, and Lil' Wayne, and also features a who's-who of hip hop including The Game, Bone Thugs, Juelz Santana, Young Jeezy, Trick Daddy, T-Pain, and countless others. This is the must-get album of the summer, available everywhere June 12, 2007 from Koch Records.
Since the early 1990's, the Miami scene has steadily grown into a personal playground for the entire entertainment industry. Events like How Can I Be Down, The Mix Power Summit, and the MTV Music Awards have attracted thousands of stars to the illusion of the Magic City nightlife. But once all the smoke clears, we get to finally focus on the true essence of Miami, which means attending the annual Fall Classic that is DJ Khaled's Birthday Bash. The "mark your calendar event" started off as a simple get together for South Florida's hottest DJ has since grown into a Dade County ritual, and that's all due to one man, two turntables, and a squad of terror. Born Khaled Khaled (he's so nice his mom named him twice), 30, in New Orleans to Arabic parents, Khaled was the second of three children. At age fourteen his love for music and influence from his parents led him down a path that would birth one of the greatest Deejays Miami has ever seen. Fans quickly took notice of DJ Khaled's powerful style and energetic personality as he began throwing parties while a deejay on college radio. "God gave me a gift, so it's only right that I lead the way with this new style." Great energy and an undeniable voice have helped Khaled land radio gigs with Mixx 96 and 99 Jamz, but for Khaled that's just the tip of the iceberg.
Success happens when preparation meets opportunity, which is why Mixx 96 quickly became Miami's premiere underground radio station with Khaled as the deejay.
For two years, DJ Khaled bigged up, dropped bombs, and rewound enough tracks to be crowned the official voice of South Florida. Never one to just sit comfortably on the throne, Khaled decided to "takeover" mainstream radio as the deejay for one of Miami's most notable radio stations, 99 Jamz. Paired up with K-Foxx, DJ Khaled currently has the #1 rated radio show in South Florida, adding another notch to his belt.
Over a decade on the radio has inspired Khaled to develop his own sound of music as he prepares to release his debut album. "Hip-Hop is everything and everywhere, so I have to be everything and everywhere." Khaled's album filled with new energy and different ideas is exactly what the game needs right now. The LP, We The Best, will feature artists such as Fat Joe, Lil Wayne, Game, and Juelz Santana, Young Jeezy, Rick Ross, T.I., and Akon just to name a few. The album will also include "crazy" production from the infamous DJ Khaled, and if it's anything like his birthday bash, it's sure to be a "mark your calendar event."
Although many Khaled fans may think that this is his first crack at production, it is not. The versatile deejay has produced tracks for artist like Trick Daddy, Pitbull, Young Jeezy, and his Terror Squad brother Fat Joe. As part of the Terror Squad family, Khaled has built a foundation strong enough to hold his own weight!
Features: Akon T.I. Rick Ross Fat Joe Birdman Lil' Wayne Game, Bone Thugs Juelz Santana Young Jeezy Trick Daddy T-Pain terror squad
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Forget About Customer Service & Satisfaction: Pursue Customer VALUE
For the longest time I have been uncomfortable with the various labels we place on our customer facing activities. They are referred to as:
Customer Service
Customer Care
Customer Support
Customer Relationship Management
Client Services
Client Relations.
Most of these titles and designations focus on what we DO without focusing on the results we are hoping to achieve.
We engage in these activities, presumably to promote:
Customer Satisfaction
Client Retention
Customer Loyalty.
And we trust that these aims and practices will contribute to PROFITS.
But as a long time management consultant and President of Customersatisfaction.com, Im not at all convinced were headed in the right direction, that these words and phrases are helping us or our clients and customers as much as an alternative model, which Im going to introduce, here.
I believe all would be better served by focusing our efforts on IMPROVING CUSTOMER VALUE.
Peter F. Drucker, renowned management guru, used to point out to those of us who studied with him, that customer service Must be defined from the customers point of view.
The true test of valuable service is whether, if unbundled, customers will pay extra money for what is being dispensed to them.
A fellow student, in senior management with a financial services company, boasted that his firm was superior to competitors because it had a network of local branches close to customers.
When grilled by Drucker as to whether he had PROOF that these expensive deployments had any significant value in the minds of customers, my colleague balked and stammered.
It was merely an ARTICLE OF FAITH on his part; and in fairness to him, also in the minds of many at his company, that all of their efforts to serve were actually serving.
Upon closer scrutiny, the local service centers were found to have slight, if any, marginal utility to the customers in whose name they were built.
So, what IS value to customers? And how is it linked to achieving value to companies?
It is a moving target, for one thing. Yesterdays first class air traveler insisted on a larger seat with more leg room. Todays requires sleeper seats, independent audio and video programming, expedited baggage services, and an amenities kit on international flights.
One of the key components of providing value to customers is by offering an attractive PRICE. Take the shopper at a 99 Cents Only store. He or she can expect to find a tube of toothpaste for 99 cents, where the same item costs three times as much at a typical drug store or supermarket.
Thats value, without question. The amount and quality tendered should offer substantial utility to the customer.
But stark utility and functionality are only part of the equation.
The Mercedes dealer that has a Hall of Fame, a Polaroid portrait gallery of every buyer dating back decades displayed on the wall, insists on awarding men and women a dozen long-stem roses with each car purchase. Its a moment in which every customer feels special and important, and a snapshot commemorates it, and is placed on the wall joining similar images of Hollywood celebrities such as Clark Gable, that have bought cars over more than a half-century at this famous dealership.
Thats value, too. Compared to the cost of an upscale car, the roses and the photo are very inexpensive. But they are part of a much greater ritual that the dealership has orchestrated to create an ELITE club, consisting of mostly ordinary purchasers.
This example shows the possibilities for IMPROVING CUSTOMER VALUE are practically endless.
Frequency marketing plans, based on airline miles, cash-back rebates, and even free dinners and haircuts, have had a dramatic impact on generating repeat business and a perception of value for buyers. At the same time, they have introduced loyalty and more predictable revenue streams into otherwise fickle industries.
These promotions show the Win-Win potential of focusing on creating VALUE.
From the businesss standpoint, when a customer can be induced to spend more, to buy the higher profit items, to resist the siren songs of competitors, and to be a source of referrals, then a CUSTOMERS VALUE has been increased, and for that matter, so has the value of the overall enterprise.
The trick is to create better FITS and ALIGNMENTS between what a company offers by way of customer-facing practices and to increase the willingness of customers to select and prefer their vendors.
Does the company that answers the phone more pleasantly and faster than its competitor, win more business and better retain its customer base? We presume it does, and millions of dollars are invested annually by firms to train their personnel in telephone etiquette and call handling techniques.
As the author of MONITORING, MEASURING & MANAGING CUSTOMER SERVICE, let me ask you to consider these questions:
Where are the MEASURES that show such a correlation between good calls and good business? Where are the MONITORING techniques that capture and compare the RESULTS achieved by well trained versus poorly trained reps? How many customers have been DETECTED grumbling instead of singing as conversations conclude, or have explicitly responded to post-mortems and surveys by stating, I went to your competitor because your call handling is inferior?
Instead of focusing mostly on what we do, we need to ask What are customers achieving? and equally important, What are we getting, in return?
I have often said the truest test of customer satisfaction is this question:
Will your customers reorder, or permit you to up-sell or to suggestively sell them more, RIGHT NOW?
If not, you have not increased a customers VALUE to your firm, and you have demonstrated that you have not dispensed enough value to the customer, up to that point.
There is a VALUE DEFICIT that should be detected and remedied, immediately, but all too often it evades review and repair.
How do we create better FITS and ALIGNMENTS?
We need to (1) Seek and obtain FEEDBACK from clients on an ongoing basis that were delivering what they value. We should employ explicit and implicit measures of value tendered and received. (2) We should benchmark our processes against known BEST PRACTICES in the field and across industries.
But we cant be satisfied with these initiatives, important as they are.
We also need to (3) CREATE NEW SATISFACTIONS and NEW VALUE for customers and for our companies.
This means taking risks.
For example, todays hybrid vehicles cost more off the showroom floor, but they deliver more over time, including long-range economy and an increasingly important perception that the buyer is doing his share to reduce dependency on foreign energy sources, making his country more safe and secure in the process.
But when hybrids were designed, gas cost about $1.80 per gallon, and manufacturers had to get in front of their customers and entice them into the future.
Toyota made the bet that the market, and global events would catch up with their vision, and they bet right, winning a leading worldwide market share in the process.
You dont have to be big to emulate them.
For the price of a few roses or a snapshot, you might accomplish the same thing, providing customers find VALUE in it.
Best-selling author of 12 books and more than 1,000 articles, Dr. Gary S. Goodman is considered "The Gold Standard" in negotiation, sales development, customer service, and telephone effectiveness. Top-rated as a speaker, seminar leader, and consultant, his clients extend across the globe and the organizational spectrum, from the Fortune 1000 to small businesses. He can be reached at: gary@customersatisfaction.com.
Now, I Know Why The Werewolf Howls
"I Know Why the Caged Bird Sings" is a 1969 autobiographical novel that focuses on the early years of author Maya Angelou's life. Written at the end of the American Civil Rights movement, the work explores the isolation and loneliness Angelou faced.
Up far too late into the wee hours of the morning, an all too often zone in which I find myself, on one of these occasions, I also found myself considering Angelou's story and its parallel to the life of not only my own, but to many musicians.
As a musician, it is more often than not, difficult to find a true friend aside from another musician (actually, the same is often true within the music community itself). But, for this article's purpose, as an example, non musicians seem to either view musicians as demigods due to their talent, or they are deemed freaks of society (a few choice fans may view us as both...simultaneously).
After all, as musicians, we do not fit the status quo...the "blend in business as usual" scenario...the all encompassing process of graduating high school, going to college, and getting a job that we will retire from forty years later.
No, even if we attend and complete college, then take a job in a local school district teaching the school band or choir in the interest of "normalizing" our lives, inevitably, we will be placed in society's one of two "demigod" or "freak" molds (again, perhaps, both simultaneously) dare we ever exit our nether world to perform publicly to a crowd of more than one.
In my own personal experience, as well as the experiences of my musician friends/acquaintances, if you have been a musician for most of your life, it can be said that your existence within the world of music supersedes your playing an instrument, singing, performing, or composing.
It is likely and, otherwise, a spiritual "calling" that will not let go. And, it can easily be said to have an inescapable hold on you...a blessing in a sense, yet and perhaps, even a curse...much like that dreaded 30-day interval of the silvery moon that your friendly neighborhood werewolf must endure and survive
lifelong without bringing undue attention to himself or herself.
And, it is a unique level of human spirituality that most non artists cannot and will likely never comprehend. In comparison to Ms. Angelou's work, along with our musical talent and the enjoyment of being blessed as a creator, comes a slightly seething loneliness that, in turn, maintains our honesty to our "calling."
Regardless of your favorite genre that you dare not admit chose you, as opposed to your choosing it, you will likely agree that the common elements of anger, sadness, and other related and indifferent emotions can be derived from, at least, one song of any given artist's repertoire, whether that artist is Enya with her "Caribbean Blue" (Celtic), Roy Ayer's "Searching" (Jazz) Sting's "If I Ever Lose My Faith In You" (Progressive Rock), Jill Scott's "Golden" (RnB), or any of Eryka Badu's works, as well as those of many other artists.
And, as sad as it is for me to admit it, I have also found that many artists (including myself) can remain too close, too long, to their music without a vitally necessary unrelated diversion to overtly distract and save us from instituting a "Curt Cobain."
Because, music has a uniquely powerful way of forcing a suppressed (and, often painful) personal history to the surface for re-evaluation and analysis. And, as musicians, and because we are creators, this is, possibly, the reason for our high degree of emotional response to it more so than non artists.
While this article has been intended to serve as "body filler" for this newsletter, it also serves me well as a few moments of self-reflective therapy, as my spirit eclipse's the oh so soothing albeit depressing sounds of Ms. Lalah Hathaway's vocal lead (lyrics by Ms. Bette Midler) that cascade Mr. Joe Sample's rendition of Ms. Midler's "When Your Life Was Low" (it's on my playlist on my MySpace page, but don't listen too often, lest ye fall victim to and become a might painfully enthralled, such as my wretched soul hath done time and time again).
Ignorance is bliss, and I often wish that I remained a non artist who had never learned what I now know about creating music, its mechanics, or its intricacies, such as how to arrange a particular chord inversion or a drum part's backbeat that not only evokes memories and/or emotions that either make me want to soar higher than Kal El could ever dream of doing, or seek the closest gunshop for "El Fin," but which either can draw the positive or negative tear from a too often dry bloody eye.
And, after having self-analyzed, self-explored and self-purged, I too now know (and understand succinctly) why the werewolf howls at the first light of the beautiful silvery moon.
Editor's Note: Kenny Love is a radio/video promoter and media publicist, as well as co-owner and Director of Marketing for Eartastic Records. Get more information regarding him from his MySpace page at http://www.myspace.com/jazzman795
Download The Mummy Tomb Of The Dragon Emperor And Also The First Two Parts
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The Mummy, Tomb of the dragon is the latest and the third installment in the the blockbuster Mummy series. Though both the Mummy movies have met outstanding box office performance, there were complaints about The Mummy Returns. For example, there were complaints about poor graphics, especially when the part where the Rock is morphed into the scorpion as the scorpion king. Not so good storyline was another common complaint. But personally I liked both the parts equally. Both were unique in their own aspects,though they was no much humor in Mummy returns especially from Luke Ford.
Well many people are very excited about the announcement of the release of this movie. However many people are doubly excited because it is also starring Jet Li, the martial art expert and Shaolin temple student and mainly a already huge established Hollywood action star. Personally i want to check out the chemistry between Brendan Fraser and Jet Li.
Just to make a reminder here. The Mummy series is the reason why Brendan Fraser is catapulted to the status of a action hero. The Mummy series is popular because of the ancient Egyptians and pyramids. Ancient Egyptians were experts in many fields, but they are still referred to as geniuses as they built the famous pyramids in such huge sizes, that it would put a modern football field to shame, without using any machinery and modern equipment !
So people are naturally curious about Egyptians. So I think this is the major factor, which helped to make the Mummy series so successful. People are really intrigued and fascinated by anything which comes from Egypt.
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Music video by Avant performing Makin' Good Love
with Steve Huff [Producer], Billie Woodruff [Video Director], Maz Makhani [Director of Photography], Veronica Zelle [Video Producer]
(C) 2001 Geffen Records
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How to Download Music to My IPod in 3 Simple Steps
Almost everyone these days has an ipod -- one of those tiny little devices that shoots your favorite tunes right into your ears via those almost invisible headphones. Even a lot of moms and dads are buying into the ipod craze now, especially if they like oldies music that is hard to find on the radio anymore. If you are one of the newcomers to the world of downloadable music, you might be wondering-hmmm - I wonder how to download music to my ipod?
Well, it really isn't very hard at all once you know how. It couldn't be, after all. Everyone seems to be doing it, right? So, for those of you who think you are technologically challenged, this is how to download music to your iPod:
1. First, you find music online that you love and can't get enough of. There are sites where you can pay a fee to get access to the music, there are public domain songs that have been out so long that they are no longer copyrighted, and there are sites where you can find free music (the legality of these is in question). You can save the music to your computer, or you can download directly into your MP3 player.
2. Next, you plug your ipod's cord into one of the USB ports on our computer.
3. Then, open up the music you want to download and click the download button. If a screen comes up asking where you want to save the music, simply choose the ipod or the USB that your ipod is plugged into.
There you have it. You no longer have to wonder to yourself how to download music to my ipod. The last step is the best one. Just stick those headphones into your ears and enjoy the tunes.
Get Hundreds of Secrets To Getting Free Music & Video iPod Downloads! Subscribe to our Free newsletter and Receive a Free 5-part email report on getting the best ipods and downloads. How To Download Music To My iPod Click Here!
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